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ORIGINAL ESSAYS
"For True Art, You Can't Beat the Amateurs"
reprinted from
On Stage Magazine
December, 1995
by Ace Armstrong
I happened recently to bump into a very talented
guitar player whose band had, like many others, fallen apart.
As we talked, Paul related experiences from his two decades as
a part-time musician, and finally concluded, with a sigh, that
today's environment makes it much harder to start a band (and
keep it together) than in years past.
The reason, he said, was karaoke.
After a moment, I realized the truth in his analysis.
Bars-which provide the vast majority of venues where fledgling
bands can perform- often find it cheaper to bring in karaoke than
to pay four or five musicians, who will probably want more than
their fair share of drinks on the house. Your typical karaoke
outfit takes up less space than a band (a consideration in many
of the smaller bars), and the talent is willing to work for free
. . . and sometimes even willing to pay to perform. Therefore,
as the number of bars hiring live bands decreases, the venues
for those bands that manage to survive become harder to find.
Interestingly enough, Paul (displaced musician or
not) saw this not so much as a negative for music, but as a positive.
And, as he explained this aspect of his philosophy, I was once
again forced to agree with him. H is argument went like this:
the beauty of music is that it is an art. A true musician will
play music because of a love of the art, and true musicians often
don't get the opportunity to give their art to others for a variety
of reasons. It's expensive to buy the equipment necessary to really
perform in most places. It takes A lot of time and effort to find
places to perform, and time is not something that a full-time
parent, student or office drone often finds in large supply.
And then there's the compatibility problem; there are very few
people who share the same musical taste, and finding those people
who share your tastes and the ability to play the required instruments
borders on impossible much of the time. Then, of course, there's
the unsavory politics of the music industry, which many (if not
most people simply can't stomach. Karaoke provides a chance for
those individuals who would otherwise find themselves unable to
share their art to get on stage and feel the adrenaline rush of
performing in front of a crowd. That rush is the best pay a true
musician could want, Paul said. Why should that feeling be limited
only to trained professionals who were lucky enough to find the
right people at the right time?
He raised a valid point, and it's one that members
of the karaoke community (for, in its popularity, karaoke has
expanded to become a community unto itself) hold dear. Go to any
establishment that features karaoke (and they're no longer limited
to bars; restaurants, bowling alleys and even skating rinks have
gotten into the act and you'll find a dozen singers who know each
other from other places. Like most other groups of artists, karaoke
singers support and critique each other with blinding honesty.
The politics stays at a minimum. Your net worth, looks and connections
(or lack thereof) with the music industry won't get you extra
stage time. It's the art, not the artist, that's important.
Not that karaoke singers harbor any jealousy toward
their professional cousins. On the contrary, the karaoke community
looks upon professional musicians with respect. Some even join
their ranks. Many singers who never considered careers as professional
musicians often find it easier to take the musical road than the
"day job" road once they've revealed their talent. More
than one band has recruited new vocalists from karaoke bars.
Karaoke singers don't rely on, or even hope for,
this kind of discovery, however. 'They're more interested in having
A good time. That's why audiences often find karaoke more enjoyable
to watch than the pros. After all, karaoke is to music what open
mic nights are to stand-up comedy: you may suffer through A horrible
Andrew Dice Clay wannabe, only to be surprised by the next Robin
Williams. Indeed, no matter what the talent level, there's always
that energy and enthusiasm that makes performance art a joy to
watch.
Amateurs? Maybe. But for enthusiasm and pure art,
you can't beat karaoke.
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